Well here we go Trump thinks the debate dates are r****d against him and somehow Hillary had something to do with the dates. Even though these dates were put in place last year before anybody announced the dates. I***t Trump is lying again and blaming Clinton. He is also saying the e******n is r****d. He won't release his taxes so he knows that Clinton is going to slam the hell out of him on that issue at the debate. He also knows Clinton will slam him on his economic plans, the Russian connection, Mexican rape and murder, ban all Muslims, deport all Muslims. Also she will expose his s**ms and his fraud.

So it looks like Trump has not got the balls to debate Clinton. He will back out of the debates just like he did in the primaries. So if you remember when Bush 41 was trying to back out of debating Bill Clinton. Well Bush started calling Clinton slick Willy, and Clinton started calling Bush Chicken George. And that's when the guy in the Chicken suit started showing up at all the Bush campaign events and it absolutely pissed off Bush 41.

So Hillary if Bill still has that Chicken suit break it out and start attending Trump rallies. These next couple of months is really going to expose the s**m artist.

Well, Kenjay, both my wife & I love your avatar. Assuming it is a wolf, it certainly is a healthy one. My wife's grandmother was full-blooded Cherokee, also, and wolves are her favorite animal. I look forward to reading future posts by you. Take care...both you and Wolfgang.

Am I to understand you are a single father I raised my three children as a single father for twelve years, having met my wife near the very end of my youngest child's time at home.

Not to worry, Kenjay. My wife is primarily of Cherokee blood, and both her and I love wolves, also. In fact, our home's decor includes many Indian and wolf artifacts....paintings, photos, sculptures and numerous 'dream-catchers.' You seem consistently wrong on matters, sir/ma'am.

CNN Scores Most Viewers For Democratic Convention, Fox At Bottom Of The List

Although rocked by scandal and unrest, the 2016 Democratic National Convention has received a surprisingly large number of viewers, with opening night viewership exceeding that of the Republican National Convention just one week before.

According to figures, CNN, MSNBC, Fox News, and a majority of other networks which carried the event all set total primetime viewer records compared against Nielsen Media Research going back over a decade.

Out of all the networks, however, CNN came out on top as No. 1 in viewership totals for the event, continuing the trend of viewers preferring cable over broadcast for convention coverage.

In the 10-11:30 p.m. Eastern Time block, which saw speeches made by Sen. Bernie Sanders, Sen. Elizabeth Warren, and first lady Michelle Obama, CNN surpassed all networks for viewers aged 25-54 — a coveted bracket — and in total viewers.

CNN scored another victory in the 8-11 p.m. ET bracket as well, skyrocketing an impressive 70 percent in total prime time viewership and 70 percent in the new demographics category, compared to the same time frame in 2012.

Perhaps unsurprisingly, Fox News finished towards the bottom of the pack among both cable and broadcast networks, being surpassed by MSNBC, NBC, and ABC, only managing to wedge past CBS by roughly 100,000 viewers.

While at first glance these numbers might bode ill for the Fox News Network, some would be quick to point out that the Democratic National Convention is not exactly the bread and butter of most Fox viewers.

In terms of broadcast coverage, NBC led the pack by a close margin over ABC and a rather large margin over CBS, however, NBC did significantly better than the other broadcast networks on the night of the Republican National Convention.

In total, the cable networks received a combined 12.6 million total prime time viewers during the opening night, which has surpassed the 2012 convention by nearly 4 million.

1. Guns Don’t K**l People, People K**l People

2. Criminals Don’t Obey Gun Laws, Only Law-Abiding Citizens Do

3. Any Gun Control Is a Slippery Slope to Confiscation

Your mission, should you accept, is to show how truly vacuous (dumb) these arguments are. If those arguments are part or center to your arguments for guns, do a little Devil's Advocate on your beliefs, truly test them, by probing thought and research that counters these assumptions. However, if you are not inclined in the least to question your support of guns that partially or completely rest on the above three points, for wh**ever reason (such as, a liberal trick meant to undermine the 2nd Amendment), you are not being honest. T***h demands inquiry and fearless inquiry. To question deeply and open-mindedly is the love of t***h, and freedom as well. It is not being disloyal. It is not being rebellious. It is not even being doubtful. Wonder and curiosity in every part of our lives should be welcomed. We look and we look deeper and we look deeper. We need not fear what we find in such a search but rejoice in wh**ever is thus discovered.

Be careful what you ask for, Randy 131.

A review of HILLARY'S AMERICA: THE SECRET HISTORY OF THE DEMOCRATIC PARTY

Peter Sobczynski; July 15, 2016

Just over a year ago, not long after being released from the confinement center where he spent an eight-month sentence, author, filmmaker and convicted felon Dinesh D’Souza took to Twitter to offer up his followers a photograph that purported to show a young Hillary Clinton with a Confederate f**g prominently displayed behind her. Even a glaucoma victim could tell that it was a f**e—a doctored version of a photo of her as a student as Wellesley in 1969 that ran in Life magazine—but somehow this managed to get by him. When he did eventually post a vague correction, he instead advised his followers to make fun of her glasses and hairdo, neither of which appear to be especially outrageous for a Wellesley student in the late ‘60s. Now imagine that photograph—dubiously sourced, factually questionable and suffused with nasty personal cracks instead of any legitimate insight or criticism—and you have D’Souza’s latest film, “Hillary’s America: The Secret History of the Democratic Party,” a work that almost makes his previous cinematic efforts, “2016: Obama’s America” and “America” seem lucid and well-reasoned by comparison. Little more than an extended version of the kind of political screeds that can be found online with only a minimum of effort, this is just a terrible movie, and, depending on the conditions that were set forth, there is a chance it could be considered a parole violation as well.

If you think I'm being gratuitously mean (or giving up a spoiler) by referring to D’Souza as a convicted felon, then you should know that the movie actually opens with him being sentenced to eight months in a halfway house, community service and a $30,000 fine for committing a campaign-finance violation involving getting straw donors to contribute to the campaign of a friend running for the U.S. Senate. According to the film, D’Souza is really being convicted for the crime of having made a movie that dared to expose Obama as a lying, c***ting monster hellbent on destroying America. While in the stir—in which he seems to be the only one not convicted of a violent crime—he asks around about the big gangs and how they consolidate their power. After getting a primer from fellow inmate Roc, it dawns on him that what he is hearing is oddly familiar. “What if the goal of the Democratic Party is to steal the most valuable thing this world ever produced?” You know, America!

After finally departing the confinement center, D’Souza knows what he has to do. This requires studying up on the Democratic Party—something that evidently never occurred to him before when he made films about it—and takes him to “Democratic Headquarters,” a recreated location that appears to have had its production design supervised by Tommy Wiseau and which contains a secret basement in which all of their dirty secrets are kept from public view. As it turns out, the Republicans were remarkably forward-thinking in all ways imaginable in regards to things like opposing s***ery and the KKK while those Democrats were busy seizing Indian lands, enslaving b****s and taking advantage of women. We learn of the monstrous policies of such infamous Democrats as Woodrow Wilson (who screened “The Birth of a Nation” at the White House) and Lyndon Johnson (whose only interest in passing the V****g Rights Act was to appease Negroes who “are pretty uppity” and to ensure their party loyalty for the next 200 years). At this point, you may be thinking “Hey, didn’t the political parties originally known as the Democrats and Republicans change and evolve over time to the point where the once-conservative Democrats became Republicans and the more progressive Republicans became Democrats?” Not so fast, according to D'Souza—he assures us that nothing of the sort happened and the only reason that Southern Democrats became Republican after the V****g Rights Act was because the South became more prosperous and less r****t because of Republican policies. (This factoid is accompanied by a picture of Ronald Reagan, so you know it is true).

The film also takes time to hit a couple of favorite non-elected targets of the conservative movement. Margaret Sanger, the founder of Planned Parenthood, is presented as a character straight out of a horror film, and much is made of a lecture that she gave to a gathering of female KKK members. Of course, the film doesn’t mention that Sanger at the time basically spoke to anyone who would listen regarding birth control (she later described the talk as “one of the weirdest experiences I had in lectures”), or how she was praised in later years by none other than Martin Luther King Jr. Then there is Saul Alinsky, who is portrayed as a criminal monster who worked his way up from s**mming cheap meals as a starving student to practically becoming the right-hand man to gangster Frank Nitti, eventually taking the lessons he learned there to organizing liberal types in order to seize power for the socialist agenda by pushing from the outside. Eventually, one of his protégés outdoes him by remarking that if they can somehow take over the government, “Then we can push from the inside.”

That protégé is none other than Hillary Clinton, and after sneaking into the basement of a Clinton recruitment center, D’Souza learns the shocking t***h about her as well. By “shocking t***h,” of course, the information amounts to “largely discredited crap your uncle sent you on Facebook.” The tenor of this segment is set with D’Souza asking “Is Hillary really capable of enabling a rapist?” and it goes downhill from there as we get another rehash of husband Bill’s infidelities (there are many shots of a woman in a sexy black dress slinking out of various places), Hillary ranting through the halls of the White House, a recounting of that uranium scandal that turned out to be much ado about nothing and the possible depravations of the Clinton Foundation. As for B******i, he supposes that she refused to send in help because “she couldn’t figure out how to make a buck off of them.” As this segment ends, D’Souza denounces them for their “h**eful rhetoric” before calling them “depraved crooks” who will “turn all of America into a plantation” if she is elected president. At no time, however, does he make any sort of case for an alternative to her in this e******n cycle. Even though the film is up-to-date enough to include a moment suggesting that Obama was responsible for the massacre in Orlando, there is, at most, one brief and vague reference to Donald Trump.

All of this is conveyed by D’Souza in the most cinematically inept ways imaginable. The film is less a coherent narrative than a compendium of slanders, innuendos, cherry-picked facts, blatant omissions, stuff taken almost directly from his earlier documentaries, terrible historical reenactments, a couple of interviews that convey additional information of a highly dubious manner and ironic clips from movies that you will wish that you had watched instead of this one (including “Metropolis” and “Evita"). From a filmmaking perspective, the whole thing is so amateurishly done that even those who fall close to D’Souza on the political spectrum should feel ripped off. Worst of all, it utterly fails at its mission of being the ultimate Hillary Clinton takedown by never laying a single glove on her. This is especially astounding, as even those inclined to support her could probably name a couple of things she has done in her years in the spotlight that are legitimately questionable—her v**e for the war in Iraq and her embrace of the teachings of Henry Kissinger to name a couple—but instead of exploring those, D’Souza is more concerned with calling Bill Clinton a sex abuser but blaming it all on Hillary.

“Hillary’s America” may well be the single dumbest documentary that I have ever seen in my life—nearly two hours of poisonous bluster and anti-historical rhetoric that comes across like the desperate ravings of someone trying to make a few more bucks by rehashing the same nonsense before his gravy train finally leaves town. The closest thing I can compare it to are the strange and highly speculative documentaries that Sunn Classics used to crank out in the late Seventies—movies that breathlessly promised viewers that they would reveal the existence of life after death or the Bermuda Triangle or Noah’s Ark but only gave people clumsy reenactments, interviews with highly dubious experts and wild speculation without ever actually offering any of the concrete proof that they promised. Those films used to get huge audiences, but once viewers caught on to the con, interest dropped sharply. And if the drop in interest between D’Souza’s first two films is any indication (“2016” was a sizable hit but “America” came and went so quickly that he never makes reference to it once here), there is an excellent chance this film will face the same fate. The only intelligent thought the film has to offer comes at the very end when D’Souza admonishes people to go out and v**e. Okay, he can’t, but the thought is still nice.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Since I had never planned to v**e for Hillary anyway, this movie couldn't change my mind. It certainly won't make me v**e for The Donald. My v**e will remain an independent protest v**e.