slatten49 Loc: Lake Whitney, Texas

Country great Merle Haggard has died. IMO, the greatest C/W singer the world has ever known. R.I.P., Hag. :|

JMHO Loc: Utah

I was sorry to hear that. He was one of my favorites too...saw his shows a couple times.

slatten49 Loc: Lake Whitney, Texas

I have posted a number of Merle Haggard's songs that remain favorites of mine on the thread 'How about a little country music for our country lovers.' 8-)

TexaCan Loc: Homeward Bound!

Another one of the great singer/songwriter's that we have to say goodbye to! I danced so many steps to his great songs in my younger days. My favorite 2step song was "Silver wings" my favorite song of ALL time is "Shelly's Winter Love." He will be missed but never forgotten!!!

slatten49 Loc: Lake Whitney, Texas

Country legend Merle Haggard, often called “the Poet of the Common Man,” whose music reflected his hardscrabble roots and hard-living ways as well as a tenderness that made him a revered songwriter, has died at his home near Redding, Calif. He was 79.

Haggard along with fellow Bakersfield, Calif., superstar Buck Owens defined the West Coast sound of country music in the 1960s and ’70s.

Emerging from the central California city’s raucous honky-tonky country music scene of the post WWII-era, first recording for the local Tally label and then for Capitol Records, Haggard became a towering figure, producing 38 chart-topping records along with his longtime recording and touring band, the Strangers. Among his biggest hits were the controversial “Okie From Muskogee” — alternately seen as a reactionary Nixon-era anthem or a good-hearted spoof of heartland mores — as well as enduring and much-covered ballads such as “Today I Started Loving You Again,” “If We Make It Through December,” “Sing Me Back Home” and “Hungry Eyes.” His uptempo “drinking” songs such as “The Bottle Let Me Down,” “Swingin’ Doors,” “I Think I’ll Just Stay Here and Drink” and “Working Man Blues” helped create the prototype of 1960s and ’70s country honky-tonk hits.

Two of his best-regarded albums were tributes to early country star Jimmie Rodgers (“Same Train, A Different Time,” 1969) and Western swing bandleader Bob Wills (“A Tribute to the Best Damn Fiddle Player in the World,” 1970).

Haggard scored with several film and TV hits over the years, most notably penning and singing the eponymous theme song for the 1974 TV series “Movin’ On,” as well as chart-toppers “Barroom Buddies” and “Misery and Gin” for Clint Eastwood’s film “Bronco Billy.” “Mama Tried” was featured in the crime film “K**lers Three,” in which Haggard also co-starred.

Haggard was born in Oildale, Calif., to Oklahoma immigrants who migrated west during the Great Depression, and he quite literally grew up in a boxcar, albeit one converted into a home. His father died when Haggard was 9, and in his early life he committed a series of petty crimes, leading to longer and longer incarcerations. But Haggard was also gaining a reputation in the Bakersfield area as a first-rate singer and instrumentalist. Holding his own onstage with his idol, country music great Lefty Frizzell, was an indication of the career ahead of him, once he put crime and punishment behind him.

A botched robbery, however, saw him tried as an adult and sent to San Quentin, where he spent three years. Haggard recalled that seeing Johnny Cash onstage in San Quentin in 1958 was a particular inspiration, and the two men later became close friends and mutual fans.

Once out of prison, Haggard worked blue-collar day jobs and played the rowdy honky-tonks of Bakersfield at night, which led to him cutting several tracks for Tally.

Haggard’s first released song was the minor hit “Skid Row.” A cover of country superstar Wynn Stewart’s “Sing a Sad Song” charted nationally in 1964. The following year he had his first national top-10 record with “(My Friends Are Gonna Be) Strangers,” followed in 1966 by his first No. 1 song, “I’m a Lonesome Fugitive.”

Haggard, in a 1999 interview with Variety, described his rise as he moved from local music sensation to national star after signing with Capitol Records: “We had this little label in Bakersfield (Tally) that we were doing pretty good on. About 1964, I think it was, we sold forty-something-thousand records out of our apartment back before the interweb (sic) and all that s—. So Capitol called us and said, ‘Don’t you think it’s time you let us help you?’

“They were also disappointed in everything but the Beatles. There was nothing in the world selling except Beatle music. Every country act in the entire f—ng world had just got fired. And it just so happened that during that really strange Beatlemania I got a goddamn hit.”

The ’60s and ’70s were Haggard’s peak period creatively and professionally. Haggard scored hits for three labels — Capitol, Epic and MCA — before turning to independent label status in the late ’90s. He briefly returned to Capitol (via its Nashville division) in the new millennium, and released a collaborative album with Willie Nelson, “Django and Jimmie,” through Sony Legacy in 2015; the latter set reached No. 1 on the country chart and No. 7 on the pop side.

While Haggard’s stature as one of the music industry’s top acts grew over the decades, his personal life endured rocky patches. As his two autobiographies attest, the much-married and divorced Haggard struggled with alcohol and drug dependencies well into the ’90s, when health and financial problems took him to medical rehabilitation and an IRS lien proceeding decimated his ownership of dozens of hits in his valuable song catalog.

Haggard described his strategy for creative and financial survival during that difficult time to Variety in 1999, noting, “Making records is something I guess I’ll always do, because of the fact that I’m a songwriter.”

Between 1965 and 1974 Haggard scored 11 Academy of Country Music honors as well as four top Country Music Assn. honors.

He won two competitive Grammys, as well as a spot in the Grammy Hall of Fame for his song “Mama Tried.” He was inducted in the Country Music Hall of Fame in 1994, the Songwriters Hall of Fame in 1977 and was a Kennedy Center Honors inductee in 2010.

Haggard is survived by his wife Theresa Ann Lane; their children Jenessa and Ben Haggard, the latter of whom served as lead guitarist in the Strangers for several years; and his children from previous marriages, Marty, Noel, Dana and Kelli. Married five times, his second and third wives were stage and recording partners Bonnie Owens and Leona Williams.

lindajoy Loc: right here with you....

May he RIP, keeping many a song for the angels going on~~~

Music is posted and I will finish the rest today too..... :thumbup: :thumbup:
Some great there stuff, Slatt, as usual for you!!

slatten49 Loc: Lake Whitney, Texas

[quote=lindajoy]May he RIP, keeping many a song for the angels going on~~~

Music is posted and I will finish the rest today too..... :thumbup: :thumbup:
Some great there stuff, Slatt, as usual for you!!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Garth Brooks Remembers Merle Haggard: He Was 'The Greatest Country Artist of All Time' (Exclusive)

Billboard
April 8, 2016

Like millions, Garth Brooks grew up on the music of Merle Haggard. Below, in his own words, he shares some of his memories of the legend, who died April 6.

The first song of Haggard’s I remember hearing [was] “Tonight The Bottle Let Me Down.” That was because of my dad. From the time before you could walk, Haggard was playing in the house.

I was at the Crazy Horse [Steak House & Saloon, in Santa Ana, Calif.] in the early ‘90s. It’s the first time I’d seen Haggard play live. I’m crying like a baby, standing in the back shadows. He says, “I hear Garth Brooks is in the audience tonight.” And my whole throat just tightened up. I was like, “Please, I’ll never make it. I’ll just bawl like a baby.” He said, “I’d love for him and come up here and sing, but the t***h is I got enough of my own songs to sing tonight.” And the place laughed and I started laughing through my tears and he went into something like “Okie From Muskogee.” It was so perfect.

I met him that night. It was surreal. You’re looking in the eyes of the guy you’d stared at [on] his album covers forever. It was cool. I actually was proud of myself that I handled it better than I did meeting [George] Jones. I met Jones first and I think how much I embarrassed myself around Jones from just uncontrollably crying and how much I embarrassed Jones by doing it. I think that kind of helped me with Haggard. [I told him] how much he meant to my dad (chokes up). He got my dad through a lot of hard times. If you’re going to lead a generation through some hard times, it’s going to be because you’ve gone through hard times yourself.

Haggard and I talked on the phone. I so enjoyed those talks because it helped me in my career. The last time I talked to Haggard was about [2014’s Working Man’s Poet: A Tribute to Merle Haggard], and he was very sweet. He heard I had cut “Tonight The Bottle Let Me Down” [for Brooks’ 2013 Blame It All On My Roots: Five Decades Of Influences box set]. He said, “Can I have that [recording for the tribute album]?” I reminded him, “Merle, understand, I know every song you’ve ever done. Every song. Every album cut. Everything. Anything you want done on this, please let me know.” He said, “Nope. That way I don’t trouble you and I get what I need.” He was a very common sense guy, which I loved. That was Haggard. He wouldn’t take up a lot of time. He’d just say what he meant, meant what he said and go on. I cherish those moments with him.

He is the all-around guy. If you score it on songwriting, entertaining, musicianship, records, touring, all that stuff, Haggard is the greatest country artist of all time.

– As told to Melinda Newman

lindajoy Loc: right here with you....

[quote=slatten49]

What a tribute and lets you see a little more about the man he truly was...A legend is gone, but not forgotten, as his music lives on...........

Very nice, slatt..Thank You for posting this.......

numenian

I grew up in da Bronx. Never listened to Country intentionally. H**ed it by principle. "Okie from Muskogee" was one of those songs filled with lies and false hope, hatred and bitterness, which reflected a lot of Country and Western songs.

Merle had his view and was indeed a great singer. The values were consistent and celebrated, as well as they should have been. He was a man of principle and dignity and honor--and no ideology can attack or detract from that. May he rest in peace.