TV is signaling that a woman can lead the U.S.
Shows are helping v**ers get used to the idea of a female in the Oval Office.
MARY McNAMARA TELEVISION CRITIC
Mere hours after Hillary Rodham Clinton announced her candidacy for president in 2016, Madam Secretarys Elizabeth McCord (Téa Leoni) helped prevent another Cold War. The Good Wifes Alicia Florrick (Julianna Margulies), newly elected state attorney, was thrown under the bus by the Democratic Party, and Varys (Conleth Hill) uttered the Game of Thrones premieres most memorable line after naming the qualities the ruler of the seven kingdoms should possess.
Good luck finding him, Peter Dinklages Tyrion Lannister snorted in response.
Who said anything about a him? Varys replied.
If Clinton loses this e******n, it will not be televisions fault. Many things have changed since she lost the Democratic Party nomination to Barack Obama in 2008, but few more pointedly than scripted televisions relationship with women. Where once rare enough to be remarked upon, with inevitable comparisons to Maude or Prime Suspects Jane Tennison, female leads now abound, many correcting the double standards that have historically kept women from positions of power.
As a controversial American personality, Clinton has directly affected the creation and narrative course of several series. On CBS, The Good Wife is the story of long-suffering wife of a philandering politician as she fights her way back to a sense of self that, most recently, included running for office. When Madam Secretary premiered on the same network last fall, some conservative pundits complained that it was overt pro-Hillary propaganda never mind that even though McCord and Clinton share a title, a g****r and a hair color, there the similarities end.
Less generously, the nakedly ambitious Frank and Claire Underwood (Kevin Spacey and Robin Wright) of Netflixs House of Cards have been compared to Bill and Hillary Clinton, particularly this season as Claire, dismissive of the traditional first lady role, fought to influence policy. And many Game of Thrones fans see Hillary Clinton more in the scheming Cersei (Lena Headey) than the noble but struggling Daenerys (Emilia Clarke).
Either way, these shows are but tremors of a much bigger non-Clinton-specific event. From Westeros to the White House, female characters are in power, and no one within the narrative universe or the television audience thinks its a big deal.
Compare this with the television landscape of 2008. The first series about a female president, the Geena Davis vehicle Commander in Chief, had bombed previously, and a few scattered stars like Mary-Louise Parker (Weeds), Sally Fields (Brothers & Sisters), Kyra Sedgwick (The Closer), Holly H****r (Saving Grace) and Glenn Close (Damages) had barely begun the great and game-changing A-List Migration to TV from film.
On the Big Four, scripted series, with a few notable ensemble exceptions (Desperate Housewives, Brothers and & Sisters Bones, Greys Anatomy), were dominated by male leads and their stories; President Allison Taylor (Cherry Jones) did not assume office in 24: Redemption until five months after Clinton withdrew from the race in 2008.
In fact, as the 2008 p**********l campaign heated up, many pointed to 24s David Palmer (Dennis Haysbert), as well as Morgan Freemans Tom Beck in Deep Impact, as vital to Americas acceptance of a black leader. But scripted televisions power to change social attitudes on a large scale can be best summed up in three words (well, two words and an ampersand): Will & Grace.
The NBC series, a half-hour comedy built around a straight woman and a gay man, did as much if not more in the fight against civil injustice and homophobia than any march or protest. It certainly helped prepare this country for the only recently unthinkable legalization of gay marriage.
Like a mirror doing double duty as a firestarter, television tends to both reflect and catalyze social change, and the increase of strong and complicated female characters is no exception. There has been a big shift in attitude during the years since GOP p**********l nominee John McCain chose Sarah Palin as his running mate in 2008 on the daft assumption that even a barely vetted female partner would automatically bring him female v**es.
Issues including rape, domestic abuse, g****r exclusion and pay equity are again hot topics April 14 was the second-annual Equal Pay Day, marking how far into the next year a woman must work to earn what her male colleagues did the previous year. As high-end professionals like Face-books Sheryl Sandberg offer women (often-controversial) advice on making it, women are again counting heads in boardrooms, newsrooms and representative bodies like Congress.
On the recently concluded Parks and Recreation, political junkie (and Madeleine Albright super-fan) Leslie Knope (Amy Poehler) grew from slightly ditzy local bureaucrat to the canny and competent governor of Indiana and possibly president of the United States, as a maddeningly suggestive final scene seemed to imply. During one of the penultimate episodes, she directly dressed down the Pawnee press for focusing on womens hairstyles and parenting techniques rather than issues during political campaigns.
On the opposite end of the digital and tonal spectrum, Claire Underwood spent the latest season of House of Cards coming to grips with the fact that being married to power is not the same as having power. Scandal remains a weekly soap-operatic aria to the similar frustrations of powerful women, including a cuckolded first lady, kept one step removed from the Oval Office. On the other hand, Veeps Selina Meyer (Julia Louis-Dreyfus) recently did become president, with all the satiric hilarity that that entailed.
And those are just the overtly political roles. Elsewhere, television abounds with women calling the shots in a variety of arenas.
HBOs Game of Thrones is as much feminist primer as fantasy epic; on FX, Elizabeth Jennings (Keri Russell), the female half of The Americans, is just as dedicated and competent a spy as her husband. For much of AMCs Walking Dead, Michonne (Danai Gurira) has matched Norman Reedus beloved Daryl in warrior status, while Carol (Melissa McBride) has t***sformed from abused wife to post-apocalyptic strategist (scheme softly and carry a big knife). Even the iconic title of Mad Men has grown increasingly misleading; as the series winds down, it is skewed as much, if not more, to the rise of its women.
Characters like Alicia Florrick, Bess McCord, Daenerys Targaryen and Selina Meyer remain, like the women who play them, well within Hollywoods narrow definition of beauty; they, like their real-life counterparts, increasingly speak out against the unrealistic expectations successful women still face, especially regarding the traditional feminine yardsticks: motherhood and appearance.
Though Parks and Recreation began with Leslie Knope continually railing against the old boys club and pointing out instances in which she was the first or only woman, those sorts of story lines are all but extinct these days. A female leader is rarely if ever remarked upon, and though many characters still face sexism, it is most often of a more subtle, non-institutionalized kind.
The challenges of balancing work and family are also acknowledged as difficult, but no longer are they cast as moral crises or insurmountable. Most important, that particular struggle is increasingly being presented as less a womans issue and more a social one Mom is no longer seen as the primary caregiver by default; husbands are depicted as supportive, participatory mates and parents while still remaining masculine.
None of which means that Hillary Clinton will, or should, become our next president. She has been a long-standing player in what has become one the most d******e eras of American politics. She enters the race with a lot of baggage, both personal and political.
But Americas ability to accept a female president, something that seemed questionable seven years ago, now seems moot. And judging from the stories we tell ourselves about ourselves, we are more than ready. mary.mcnamara
KHH1 wrote:
TV is signaling that a woman can lead the U.S.
Shows are helping v**ers get used to the idea of a female in the Oval Office.
MARY McNAMARA TELEVISION CRITIC
Mere hours after Hillary Rodham Clinton announced her candidacy for president in 2016, Madam Secretarys Elizabeth McCord (Téa Leoni) helped prevent another Cold War. The Good Wifes Alicia Florrick (Julianna Margulies), newly elected state attorney, was thrown under the bus by the Democratic Party, and Varys (Conleth Hill) uttered the Game of Thrones premieres most memorable line after naming the qualities the ruler of the seven kingdoms should possess.
Good luck finding him, Peter Dinklages Tyrion Lannister snorted in response.
Who said anything about a him? Varys replied.
If Clinton loses this e******n, it will not be televisions fault. Many things have changed since she lost the Democratic Party nomination to Barack Obama in 2008, but few more pointedly than scripted televisions relationship with women. Where once rare enough to be remarked upon, with inevitable comparisons to Maude or Prime Suspects Jane Tennison, female leads now abound, many correcting the double standards that have historically kept women from positions of power.
As a controversial American personality, Clinton has directly affected the creation and narrative course of several series. On CBS, The Good Wife is the story of long-suffering wife of a philandering politician as she fights her way back to a sense of self that, most recently, included running for office. When Madam Secretary premiered on the same network last fall, some conservative pundits complained that it was overt pro-Hillary propaganda never mind that even though McCord and Clinton share a title, a g****r and a hair color, there the similarities end.
Less generously, the nakedly ambitious Frank and Claire Underwood (Kevin Spacey and Robin Wright) of Netflixs House of Cards have been compared to Bill and Hillary Clinton, particularly this season as Claire, dismissive of the traditional first lady role, fought to influence policy. And many Game of Thrones fans see Hillary Clinton more in the scheming Cersei (Lena Headey) than the noble but struggling Daenerys (Emilia Clarke).
Either way, these shows are but tremors of a much bigger non-Clinton-specific event. From Westeros to the White House, female characters are in power, and no one within the narrative universe or the television audience thinks its a big deal.
Compare this with the television landscape of 2008. The first series about a female president, the Geena Davis vehicle Commander in Chief, had bombed previously, and a few scattered stars like Mary-Louise Parker (Weeds), Sally Fields (Brothers & Sisters), Kyra Sedgwick (The Closer), Holly H****r (Saving Grace) and Glenn Close (Damages) had barely begun the great and game-changing A-List Migration to TV from film.
On the Big Four, scripted series, with a few notable ensemble exceptions (Desperate Housewives, Brothers and & Sisters Bones, Greys Anatomy), were dominated by male leads and their stories; President Allison Taylor (Cherry Jones) did not assume office in 24: Redemption until five months after Clinton withdrew from the race in 2008.
In fact, as the 2008 p**********l campaign heated up, many pointed to 24s David Palmer (Dennis Haysbert), as well as Morgan Freemans Tom Beck in Deep Impact, as vital to Americas acceptance of a black leader. But scripted televisions power to change social attitudes on a large scale can be best summed up in three words (well, two words and an ampersand): Will & Grace.
The NBC series, a half-hour comedy built around a straight woman and a gay man, did as much if not more in the fight against civil injustice and homophobia than any march or protest. It certainly helped prepare this country for the only recently unthinkable legalization of gay marriage.
Like a mirror doing double duty as a firestarter, television tends to both reflect and catalyze social change, and the increase of strong and complicated female characters is no exception. There has been a big shift in attitude during the years since GOP p**********l nominee John McCain chose Sarah Palin as his running mate in 2008 on the daft assumption that even a barely vetted female partner would automatically bring him female v**es.
Issues including rape, domestic abuse, g****r exclusion and pay equity are again hot topics April 14 was the second-annual Equal Pay Day, marking how far into the next year a woman must work to earn what her male colleagues did the previous year. As high-end professionals like Face-books Sheryl Sandberg offer women (often-controversial) advice on making it, women are again counting heads in boardrooms, newsrooms and representative bodies like Congress.
On the recently concluded Parks and Recreation, political junkie (and Madeleine Albright super-fan) Leslie Knope (Amy Poehler) grew from slightly ditzy local bureaucrat to the canny and competent governor of Indiana and possibly president of the United States, as a maddeningly suggestive final scene seemed to imply. During one of the penultimate episodes, she directly dressed down the Pawnee press for focusing on womens hairstyles and parenting techniques rather than issues during political campaigns.
On the opposite end of the digital and tonal spectrum, Claire Underwood spent the latest season of House of Cards coming to grips with the fact that being married to power is not the same as having power. Scandal remains a weekly soap-operatic aria to the similar frustrations of powerful women, including a cuckolded first lady, kept one step removed from the Oval Office. On the other hand, Veeps Selina Meyer (Julia Louis-Dreyfus) recently did become president, with all the satiric hilarity that that entailed.
And those are just the overtly political roles. Elsewhere, television abounds with women calling the shots in a variety of arenas.
HBOs Game of Thrones is as much feminist primer as fantasy epic; on FX, Elizabeth Jennings (Keri Russell), the female half of The Americans, is just as dedicated and competent a spy as her husband. For much of AMCs Walking Dead, Michonne (Danai Gurira) has matched Norman Reedus beloved Daryl in warrior status, while Carol (Melissa McBride) has t***sformed from abused wife to post-apocalyptic strategist (scheme softly and carry a big knife). Even the iconic title of Mad Men has grown increasingly misleading; as the series winds down, it is skewed as much, if not more, to the rise of its women.
Characters like Alicia Florrick, Bess McCord, Daenerys Targaryen and Selina Meyer remain, like the women who play them, well within Hollywoods narrow definition of beauty; they, like their real-life counterparts, increasingly speak out against the unrealistic expectations successful women still face, especially regarding the traditional feminine yardsticks: motherhood and appearance.
Though Parks and Recreation began with Leslie Knope continually railing against the old boys club and pointing out instances in which she was the first or only woman, those sorts of story lines are all but extinct these days. A female leader is rarely if ever remarked upon, and though many characters still face sexism, it is most often of a more subtle, non-institutionalized kind.
The challenges of balancing work and family are also acknowledged as difficult, but no longer are they cast as moral crises or insurmountable. Most important, that particular struggle is increasingly being presented as less a womans issue and more a social one Mom is no longer seen as the primary caregiver by default; husbands are depicted as supportive, participatory mates and parents while still remaining masculine.
None of which means that Hillary Clinton will, or should, become our next president. She has been a long-standing player in what has become one the most d******e eras of American politics. She enters the race with a lot of baggage, both personal and political.
But Americas ability to accept a female president, something that seemed questionable seven years ago, now seems moot. And judging from the stories we tell ourselves about ourselves, we are more than ready. mary.mcnamara
TV is signaling that a woman can lead the U.S. br... (
show quote)
The writing is on the wall.,...
Normally parents teach their children at a young age to respect public property and to not write or paint on any walls. Sadly there are some people that grow up in a broken home, or are raised in the projects which tends to result in the child's behavior to have NO respect at all for other people's property.
So the end of all this is simple...if you write things on a wall, you should go and say you are sorry and clean or paint that wall to undo your damage.
So goes the story of the writing is on the wall.....
America Only wrote:
The writing is on the wall.,...
Normally parents teach their children at a young age to respect public property and to not write or paint on any walls. Sadly there are some people that grow up in a broken home, or are raised in the projects which tends to result in the child's behavior to have NO respect at all for other people's property.
So the end of all this is simple...if you write things on a wall, you should go and say you are sorry and clean or paint that wall to undo your damage.
So goes the story of the writing is on the wall.....
The writing is on the wall.,... br br Normally pa... (
show quote)
I'll take it you know what figurative versus literal means and how it applies here....i'll give you that much credit......you like to play stupid often but you are not THAT stupid.
I have no doubt that a woman could be a good president, but not this Lying B***h.
hejohnson43 wrote:
I have no doubt that a woman could be a good president, but not this Lying B***h.
hey man...what did you mama teach you growing up?
She tough me to be honest with my feelings. I have personally known some people that have been around her at the White House. I would probably be censured if I repeated word for word what they told me. I have no reason to believe they were not being t***hful.
hejohnson43 wrote:
She tough me to be honest with my feelings. I have personally known some people that have been around her at the White House. I would probably be censured if I repeated word for word what they told me. I have no reason to believe they were not being t***hful.
did she teach you that logic and not emotions are the basis for sensibility? that is what I was taught...go and try to get an education and succeed with feelings versus logic....and I know people who were in then industry who said nancy raygun was a POS...talked down to people like that lady from ESPN did to the restaurant worker.....
I have to say for the last 20 years I have noticed that there was an international conspiracy to ruin the United States. Every day that passes, prove that I was right. There is not much difference between Democrats and Republicans. Both party's are loaded with Progressives (C*******ts). Take Bush Sr. he signed us up for U.N. Agenda 21. Clinton gave the rights to our National Parks to the U.N.. Bush Jr. got us into a war in Iraq and Afghanistan. I don't need to tell you what Islamic Q***r Obama has got us into. Obama is the only one besides Bill that can lie better than Hillery. You also know that we will have to borrow the money we are going to give Iran, not to go nuclear, which they are going to do anyways, using our money to do it.
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