no propaganda please wrote:
Yes, God loves each and every one of us for he has created us. He does not love us because of our sins, but because He knows we have the capacity to not sin. He does not celebrate the thief if he keeps stealing, nor the adulterer making no effort to change his behavior and continuing with his adultery So he loves the same sex attracted person but does not love the homosexual acts he does. Celibacy for the same sex attracted person is the same as the thief who steals no more. Both have stopped sinning. Fortunately he loves us even when we commit sins, but as Jesus said "Go, and sin no more"
Yes, God loves each and every one of us for he ha... (
show quote)
Please listen and watch this video all the way through. I have included the lyrics below. My main points are illuminated in color, but I wanted to present them in context. Apologies for risking losing the attention of many readers
Hozier - Take Me To Church:
http://www.youtube.com/watch?v=MYSVMgRr6pw&list=RDMYSVMgRr6pwTake Me to Church
Hozier
My lover's got humor
She's the giggle at a funeral
Knows everybody's disapproval
I should've worshiped her sooner
If the Heavens ever did speak
She's the last true mouth piece
Every Sunday's getting more bleak
A fresh poison each week
We were born sick, you heard them say it
My church offers no absolution
She tells me 'worship in the bedroom'
The only heaven I'll be sent to
Is when I'm alone with you
I was born sick, but I love it
Command me to be well
Amen (x3)
Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good god, let me give you my life
Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good god, let me give you my life
If I'm a pagan of the good times
My lover's the sunlight
To keep the goddess on my side
She demands a sacrifice
To drain the whole sea
Get something shiny
Something meaty for the main course
That's a fine looking high horse
What you got in the stable?
We've a lot of starving faithful
That looks tasty
That looks plenty
This is hungry work
Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins so you can sharpen your knife
Offer me my deathless death
Good god, let me give you my life
Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins so you can sharpen your knife
Offer me my deathless death
Good god, let me give you my life
No masters or kings when the ritual begins
There is no sweeter innocence than our gentle sin
In the madness and soil of that sad earthly scene
Only then I am human
Only then I am clean
Amen (x3)
Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good god, let me give you my life
Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good god, let me give you my lifeMarch 11, 2014 4:30 p.m.
Q&A: Irish Musician Hozier on Gay Rights, Sexuality, & Good Hair
By Julianne Escobedo Shepherd
. . . In September, Irish songwriter Hozier released the video for his gospel-inspired epic, "Take Me to Church," a cavernous song that uses love and ecstasy as a religious metaphor. The video depicts two men's gentle intimacy, followed by brutal gay-bashing at the hands of masked vigilantes against lyrics like, "I was born sick, but I love it / command me to be well / Amen. Amen. Amen."
The song serves simultaneously as a message about human rights, a commentary about Hozier's upbringing in what he calls a "cultural landscape that is blatantly h********c," and a strong statement about the institutional homophobia in Putin's Russia. In the months since its release, the video has gone v***l (and we've been playing it over and over) bringing the 23-year-old artist into sharp focus. (He turns 24 on St. Patrick's Day.) This week, Hozier born Andrew Hozier-Byrne is in the States for the first time, where he will play twice during SXSW and then tour around the country. The Cut spoke with him about the meaning of Take Me to Church, sexuality, James Joyce, and good hair.
Blues is a very physical music. It's often about sex, whether it's through innuendo or not. It's often about the relationship between two people. So in that sense, in a lot of my songs, there's a lot to do with the interaction between two people.
I figured we were just going to talk about sex, God, and death.
. . . "Take Me to Church" is a critique of oppressive institutions, with a woman or female pronoun used as a sort of savior.
"Take Me to Church" is essentially about sex, but it's a tongue-in-cheek attack at organizations that would
well, it's about sex and it's about humanity, and obviously sex and humanity are incredibly tied. Sexuality, and sexual orientation regardless of orientation is just natural. An act of sex is one of the most human things. But an organization like the church, say, through its doctrine, would undermine humanity by successfully teaching shame about sexual orientation that it is sinful, or that it offends God. The song is about asserting yourself and reclaiming your humanity through an act of love. Turning your back on the theoretical thing, something that's not tangible, and choosing to worship or love something that is tangible and real something that can be experienced.
But it's not an attack on faith. Coming from Ireland, obviously, there's a bit of a cultural hangover from the influence of the church. You've got a lot of people walking around with a heavy weight in their hearts and a disappointment, and that s**t carries from generation to generation. So the song is just about that it's an assertion of self, reclaiming humanity back for something that is the most natural and worthwhile. Electing, in this case a female, to choose a love who is worth loving.
The video parallels that it's a statement against state oppression and homophobia in Russia.
Absolutely, yes. It references the very organized attacks against L**T youths that are carried out with impunity, without action from law enforcement. There are a lot of far-right guys who film these attacks. Because the song was always about sexuality and about organizations that would undermine humanity at its most natural, we thought that in Ireland, the church doesn't really have that kind of strength that it did, but there will always be organizations that will, and there will always be organizations that try. Hopefully there won't be one day, but there are, and this is a pure example of that.
It's people carrying out terrible acts through the justification of far-right traditionalism, and also a long campaign to make homosexuality equivalent with things like p********a and bestiality, which is absolutely appalling. So that's what we wanted to show. The video wasn't overexaggerating anything. We just wanted to tell it how it is.`£
Throughout the video, the characters bury and unearth a chained, locked chest. What does that represent?
I won't go into that. I think it's better that it's open for whomever to decide what it means.
Does the church proliferate institutional homophobia in Ireland?
Not so much from the church still, but there is that kind of public relations, tactical retreat of saying,
"We love the sinner, but we h**e the sin." It's a backhanded way of telling someone to be ashamed of who they are and what they do. But right now there's a referendum next year for marriage e******y for equal marriage. We have civil partnerships, but we don't have equal marriage. It's only recently in the last month there's been quite a hullabaloo over using the term homophobia in the media. But it's changing. It's getting better.
Is there a personal reason that you are outspoken about homophobia?
No, and I don't think there needs to be. To me, it's not even a gay issue or a civil rights issue, it's a human rights issue, and it should offend us all. It's just simple. Either somebody has equal rights, or they don't. And certainly in the Irish constitution, marriage is g****rless. There's no mention of a man and a woman. I didn't even have that many close L**T friends or anything like that, but I suppose it was growing up and becoming aware of how you are of a cultural landscape that is blatantly h********c. I'm sure it's the same over here. Where you turn around and say, Why did I grow up in a h********c place? Why did I grow up in a misogynistic place? You grow up and recognize that in any educated secular society, there's no excuse for ignorance. You have to recognize in yourself, and challenge yourself, that if you see r****m or homophobia or misogyny in a secular society, as a member of that society, you should challenge it. You owe it to the betterment of society.
In the song "Angel of Small Death and the Codeine Scene," you reference orgasm, but in contrast to "Take Me to Church," the woman in the lyrics is positioned as more of an anti-savior.
I wouldn't encourage you to read too much into it, only because I wouldn't share too much! [Laughs.] When I write songs, I try to remove myself a little bit. Obviously they're very personal to me, but it feels easier if I feel like I'm writing characters. I don't know, man! There's probably a lot of Portrait of the Artist As a Young Man in that song. I suppose it's about feeling liberation
and a woman whose references might be questionable at best.
It's your first time in New York. You flew out your family, too?
My father's here, and my second cousins, who came up from Boston, whom I rarely see. I know New York is unique as a place in America, so the culture shock isn't so deep, but once I get to Texas and L.A., we'll see.
I saw your father. You both have very luxurious hair.
Thank you! We grow it ourselves.
Do you share hair-care tips?
Yeah! Just don't brush it too much. I just h**e getting my hair cut. Something in the water.
TAGS:HOZIERMUSICQ&ATAKE ME TO CHURCH