no propaganda please wrote:
You’ll never guess what crucial piece of history Notre Dame is removing from campus
January 22, 2019
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Radical leftists are attempting to completely rewrite the history books.
They want to destroy historic statues and buildings they claim are “racist” and “sexist.”
But what the University of Notre Dame is doing to this one piece of art will leave your jaw on the ground.
At the University of Notre Dame, the school administration sent out a letter informing students and faculty that their mural of Christopher Columbus would be covered up.
The Columbus mural dates back to the 1880’s.
The art will be left in tact, but will only be displayed “for certain and rare circumstances.”
In the announcement, the president of the university, John Jenkins, wrote that the mural is “blind at best to the consequences of Columbus’ voyage.”
Campus Reform writes:
The president of the University of Notre Dame sent an email to all students Sunday night, informing them of the school’s decision to cover up an on-campus mural of Christopher Columbus.
President John Jenkins wrote “as we prepare to celebrate Martin Luther King Jr. Day…at Notre Dame, I write to let you know of a recent decision,” in an email obtained by Campus Reform. “The murals by Luigi Gregori that adorn the ceremonial entrance to Notre Dame’s Main Building depict the life and exploration of Christopher Columbus.”
…
“In recent years, however, many have come to see the murals as at best blind to the consequences of Columbus’ voyage for the indigenous peoples who inhabited this ‘new’ world and at worst demeaning toward them,” Jenkins wrote.
Jenkins added that the arrival of Columbus to the “new world” was a “catastrophe” for native Americans. He added, “whatever else Columbus’ arrival brought, for these peoples it led to exploitation, expropriation of land, repression of vibrant cultures, enslavement, and new diseases causing epidemics that killed millions.”
Many students take issue with the decision to cover up the classic work of art.
John O’Neill, a political science major, criticized the decision as an attempt to “cover up history.”
John argued “covering it up shouldn’t be a justified way to approach a solution.”
The University of Notre Dame has also come under fire for its Fighting Irish mascot.
Critics claim the mascot is “offensive” to Irish Americans.
ESPN host Max Kellerman argued on his show First Take that Notre Dame should even change their mascot.
Notre Dame is kowtowing to the Social Justice Warriors in the name of political correctness.
These SJWs are the ones claiming that true history is offensive and needs to be censored from the public space.
They have successfully torn down Confederate statues all across the country.
And now Christopher Columbus is their next target.
In October of 2017, a 60-year-old Christopher Columbus statue in Pittsburgh was vandalized with red paint.
Many Americans are wondering who is next. American heroes like George Washington and Thomas Jefferson?
In fact, in April 2018 at the University of Virginia, the words “Racist+Rapist” were spray painted on a statue of Thomas Jefferson on the UVA lawn.
Even President Trump expressed his disgust about historic statues being torn down.
The SJWs won’t stop until their version of history is all that remains.
As Islam was forced on other societies, all things representing history except those that of Muslim culture was, and is still being destroyed and apparently the rest of the progressives are doing the same thing.
You’ll never guess what crucial piece of history N... (
show quote)
I cannot get upset about a simple mural when I consider that Msgr. Jack Eagan of Notre Dame invited Alinski to stay at Notre Dame after Chicago's Cardinal John Cody got wise to Alinski's true nature and shut down the Chicago office and censured the priests who were supporting Alinski. Eagan and other priests at Notre Dame, who were supporters of Alinski's "principles", urged the writing of Rules for Radicals.
Eagan's Boss in Chicago was Cardinal Bernardin who's "Consistent Ethics" plagues the church to this day with Pope Francis being the latest Exponent of this philosophy. Bernardin was a mentor and Role Model for Barrack Obama.
Notre Dame forgot they were a
Catholic University and covered the Corpus so Barrack Obama could come and Speak. It would be better if they left them uncovered and watched Obama burst into flames.
The amazing harm Alinski/Notre Dame has done to this nation is documented here:
https://www.ncregister.com/images/uploads/Pronechen-ALINSKY.jpg
BLOGS | SEP. 24, 2016
Unmasking Saul Alinsky, a Wolf in Sheep’s ClothingA brilliant new EWTN film unmasks the man behind community organizing and what has greatly contributed to today's chaotic culture.
Joseph Pronechen
Do you want an understanding of where so much of society’s problems originated and how things went radically wrong in everything from culture to family life to politics?
You’ll find out from A Wolf in Sheep’s Clothing, set to air on EWTN television on Saturday evening, Sept. 24, at 6 pm Eastern time (check schedule for other time zones).
The film is no less than riveting. By the brilliant team of Richard and Stephen Payne, the father-son filmmakers who head Arcadia Films, it explores the life and beliefs of one Saul Alinsky, often called the father of community organizing.
Sure, he said he wanted to help the poor, but we see how his tactics were no less than wrong and anti-Christian. He deceived many and used and abused elements in the Catholic Church in the process.
Richard Payne explained that St. Matthew gave the filmmakers the classic three-act structure in 7:15-20.
Act One: “Beware of false prophets, who come to you in sheep’s clothing, but underneath are ravenous wolves.” In this act we get the story of the rise of Alinsky, where he got his ideas, and how as a socialist/Marxist he began applying them to manipulate people and society.
Act Two: “By their fruits you will know them.” Was there good fruit in his work, or did it lead to a basket of rotten goods?
Act Three: “A good tree cannot bear bad fruit, nor can a rotten tree bear good fruit.” Here comes the assessment of the fruits which look ready for the trash heap. People at this point should be asking themselves, How did we get to this precipice and is there hope to back away from it? Here is where the Paynes turn up the spotlights to overcome the heat. It’s not a paradox in this film.
The film immediately grabs our attention with the tale of a wolf dressing as a sheep to mingle unnoticed with the sheep in the pasture. That sets the stage for the early years of Alinsky.
Period photos, headlines, and film bring to life the narration of Alinsky’s beginnings and growth in a fascinating way to get to understand the man. The Paynes blend these techniques in a way that keeps us moving closer to the edge of our seats as details pile up about his rise to unholy power.
Born in 1909 into an Orthodox Jewish family where the father was a successful middle class tailor, Alinsky became an agnostic and wanted to help the poor rise out of their condition. But how?
In college he took a social pathology course that, among other things, devalued marriage and family and ideas were constructed in Marxist terms.
“Treat persons not as persons but symbols,” says Alinsky in one of the vignettes throughout the film, punctuating Alinsky’s ideas in his own words. Actor Jim Morlino of Navis Pictures portrays Alinsky as that disguised wolf yet shows his sinister and dark edge, like a commentator in a 50s film noir.
“Life is a corrupting process…he who fears corruption fears life…” he says another time.
“Truth is relative and is changing,” he asserts. Get the picture? There’s a healthy dose of relativism already here in early to mid-20th century. Make truth what you want it to be at the moment.
In his sheep’s clothing he says again, “The end justifies almost any means.” And “You do what you can and clothe it in moral garments.”
That he did, we learn. It all sounded so good, helping the poor improve their lot. Who could be against that? But with what we learn are Marxist, Socialist, Communist tactics?
Of course, he must have picked up a thing or two from Chicago’s mob bosses. Studying criminality on a fellowship, he got to known the ruthless Al Capone and then Frank Nitti who took over for Capone. By his own admission, Alinsky said of Nitti, “I called him the professor and I became his student.”
In sheep’s clothing, Alinsky linked with the trade unions to help backside workers in Chicago’s meat packing industry. A noble goal to get them out of squalor. He befriended a Catholic who introduced him to members of the Church and subsequently parish leaders who didn’t spot the wolf beneath.
The Paynes reveal some telling examples of the way Alinsky worked among the sheep who maybe didn’t realize the philosophy behind the tactics he was about to use.
One of the good examples we get is the conflict when the University of Chicago attempted to expand its campus into a poor neighborhood. Alinsky got the chance to apply his Marxist conflict theory using division and deceit to conquer, casting the university into the role of the big rich bully enemy against his poor group.
As we get other examples, one of the experts briefly interviewed in the film says the organizing talk used was the language of peace and light, but all this was putting into place something different — a great evil coming in like a fog where people no longer see things distinctly. His idea to help the poor was good, but the means were evil.
These short, insightful commentaries come at critical moments from people including Allice von Hildebrand, Father Andrew Apostoli, Father Mitch Pacwa, and actors playing Blessed Jerzy Popiełuszko (we think we’re seeing the priest himself), Leo XIII, Hildegard of Bingen, and St. John Paul II, and clips of Bishop Fulton Sheen.
The Paynes bring us some shattered news in the way we learn a number of Catholics thought Alinsky’s way was the way to go to help empower the poor. One was Msgr. John (Jack) Egan who became a close associate and prompted Alinsky to write what would be his last book, Rules for Radicals (which is linked to Marx).
We learn that Cardinal John Cody of Chicago shut down the priest’s office when he realized what was going on with the organizing. But Msgr. Egan was invited to the Notre Dame University where he stayed for several years, working with five priests — four were Alinsky supporters — to form the Campaign for Human Development, convinced Alinsky’s approach was the best.
Msgr. Egan was appointed co-chair of the first Call to Action conference where radicals took over. One recommendation was training Alinsky organizers. At a news conference Cardinal John Krol said that “rebels have taken over our conference.”
It should be no surprise that Msgr. Egan up to a month before he died called for ordinations of women and married priests.
In this fascinating film, the Paynes are cinematic investigative reporters showing us how after Alinsky died, the organization used its Marxist, socialist progress causes to influence every facet of American political power and culture. Alinsky organizing has vastly impacted our society’s culture, marriage, family life, morality and even spiritualty. Over 800 Alinsky organizations are spread throughout American communities today.
As one of his ardent followers stated, it’s guised under the name of liberalism instead of socialism. Alinsky was a major wolf, and there were others. The Paynes make the connection by detailing for us, with names and places and ideas all visualized, the three “hellfire movements of Marxism” that helped Alinsky and then affected Americans.
We’re shocked to learn about Frankfurt Socialism called Institute for Social Research in the USA, to change and bring down America by criticizing it, developing political correctness, the sexual revolution, and gender conflict and confusion; Gramsci Socialism targeting specifically the Catholic Church and transform America’s Judeo-Christian culture from the inside through law, media, entertainment, and family life, and limit religion only to private worship; Fabian Socialism to slowly break down the morals of the family in a stealthy, nearly imperceptible way.
Sound familiar when you look around?
The film helps us understand how these goals have affected our society, politics (some top politicians were Alinsky followers), media, entertainment, families, morality, culture and even, sadly, some inside our Church. We have to be aware of that. St. John Paul II called this culture of death.
We’re reminded the names of the devil are his tactics — liar, deceiver, divider, accuser, adversary, lawless one, destroyer. Alinsky dedicated his book to Lucifer. Sadly, and tragically, Alinsky said if there is a heaven or hell, he would choose to the latter where he could organize. We’re told not to hate Alinsky but pray for him.
Despite all this the Paynes don’t leave us stranded because ultimately, they said the film is not a political one but a spiritual one. The last part, beautifully intertwined with the delicacy of lace yet the strength of steel, shows us that despite what has been done to America, by seeing what we have to reclaim there is hope of restoration.
The filmmakers spell out the way with uplifting visual details that multiply the effect of the narrative line which Stephen Payne delivers in a way that brings the viewer to trust the facts as coming from a caring authority who is also a friend.
We see what are the true social principles of the Catholic Church, how to restore our country to a nation recognizing that rights come from God and our God-given heritage, and how important our Blessed Mother is in this reclamation.
The Paynes end as they began, with the story of a wolf — only this one ends differently.