"Snow, Death, and the Bewildered Herd" Part 2
Mar 25, 2017 12:00:33 #
Part 2
"Snow, Death, and the Bewildered Herd"
Saul is also one of the few thinkers to follow-up on Orwell’s point. “Inexplicable violence is almost always the sign of deep fears being released and there can be no deeper fear than mortality unchained. With the disappearance of faith and the evaporation of all magic from the image, man’s fear of mortality has been freed to roam in a manner not seen for two millennia.” Blind reason, amoral and in the service of expertise and power, has replaced a holistic approach to understanding that includes at its heart art, language, “spirit, appetite, faith and emotion, but also intuition, will and, most important, experience.” People, he argues, run around today in an inner panic as if they are searching for a lost forgotten truth.
Zygmunt Bauman, the brilliant sociological thinker, is another observer who has noticed the big hole that is staring us in the face. “The devaluation of immortality,” he writes, “cannot but augur a cultural upheaval, arguably the most decisive turning point in human cultural history.” He too connects our refusal in the west to contemplate this fact to the constant busyness and perpetual rushed sense of emergency engendered by the electronic media with its streaming information. To this end he quotes Nicole Aubert: "Permanent busyness, with one emergency following another, gives the security of a full life or a ‘successful career’, sole proofs of self-assertion in a world from which all references to the ‘beyond’ are absent, and where existence, with its finitude, is the only certainty. When they take action people think short-term – of things to be done immediately or in the very near future. All too often, action is only an escape from the self, a remedy from the anguish."
McLuhan’s abstract persons, who rush through the grey magic of electronic lives where flesh and blood don’t exist, not only drown in excessive data that they can’t understand, but drift through a world of ghostly images where “selves” with nothing at the core flit to and fro. Style, no substance. Perspective, no person. Life, having passed from humans to things and the images of things, reduced and reified. Nothing is clear, the images come and go, fact and fiction blend, myth and history coalesce, time and space collapse in a collage of confusion, surfaces appear as depths, the person becomes a perspective, a perspective becomes a mirror, a mirror reflects an image, and the individual is left dazed and lost, wondering what world he is in and what personality he should don. In McLuhan’s electronic paradise that is ours, people don’t live or die, people just float through the ether and pass away, as do the victims of America’s non-stop wars of aggression simply evaporate as statistics that float down the stream, while the delusional believe the world will bloodlessly evaporate in a nuclear war that they can’t imagine coming and won’t see gone. Who in this flow can hear the words of Federico Garcia Lorca: “Beneath all the totals, a river of warm blood/A river that goes singing/past the bedrooms…”?
"If you shower the public with the thousands of items that occur in the course of a day or a week, the average person, even if he tries hard, will simply retain thousands of items which mean nothing to him. He would need a remarkable memory to tie some event to another that happened three weeks or three months ago. To obtain a rounded picture one would have to do research, but the average person has neither the desire nor time for it. As a result, he finds himself in a kind of kaleidoscope in which thousands of unconnected images follow each other rapidly. To the average man who tries to keep informed, a world emerges that is astonishingly incoherent, absurd, and irrational, which changes rapidly and constantly for reasons he cannot understand." Jaques Ellul wrote that in 1965. Lucid summations are surely needed now.
Here’s one from Roberto Calasso from "The Forty-Nine Steps": “The new society is an agnostic theocracy based on nihilism.” "Anyone who sits silently and does a modicum of research while honestly contemplating the current world situation will have no trouble in noticing that there is one country in the world – the U.S.A. – that has used nuclear weapons, is modernizing its vast obscene arsenal, and has announced that it will use it as a first strike weapon. A quick glance at a map will reveal the positioning of U.S. NATO troops and weapons right up to Russia’s borders and the aggressive movement of U.S. forces close to China. Hiroshima and Nagasaki make no difference.
The fate of the earth makes no difference. Nothing makes a difference. Obama started this aggressiveness, but will this change under Trump? That’s very unlikely. We are talking about puppets for the potentates. It’s easy to note that the U.S. has 1,000,000 troops stationed in 175 countries because they advertise that during college basketball games, and of course you know of all the countries upon which the U.S. is raining down death and destruction in the name of peace and freedom. That’s all you need to know. Meditate on that and that hole that has opened up in western culture, and perhaps in your heart."
“If you are acquainted with the principle,” wrote Thoreau, “what do you care for myriad instances and applications?” Simplify, simplify, simplify. But you may prefer complexity, following the stream.
The snow is still falling, night has descended, and the roads are impassable. The beautiful snow has stopped us in our tracks. Tomorrow we can resume our frantic movements, but for now we must simply stay put and wonder.
Eugene Ionesco, known for his absurdist plays, including "Rhinoceros", puts it thus: "In all the cities of the world, it is the same. The universal and modern man is the man in a rush (i.e. a rhinoceros), a man who has no time, who is a prisoner of necessity, who cannot understand that a thing might be without usefulness; nor does he understand that, at bottom, it is the useful that may be a useless and back-breaking burden. If one does not understand the usefulness of the useless and the uselessness of the useful, one cannot understand art. And a country where art is not understood is a country of slaves and robots."
Ionesco emphasized the literal insanity of everyday life, comparing people to
"Snow, Death, and the Bewildered Herd"
Saul is also one of the few thinkers to follow-up on Orwell’s point. “Inexplicable violence is almost always the sign of deep fears being released and there can be no deeper fear than mortality unchained. With the disappearance of faith and the evaporation of all magic from the image, man’s fear of mortality has been freed to roam in a manner not seen for two millennia.” Blind reason, amoral and in the service of expertise and power, has replaced a holistic approach to understanding that includes at its heart art, language, “spirit, appetite, faith and emotion, but also intuition, will and, most important, experience.” People, he argues, run around today in an inner panic as if they are searching for a lost forgotten truth.
Zygmunt Bauman, the brilliant sociological thinker, is another observer who has noticed the big hole that is staring us in the face. “The devaluation of immortality,” he writes, “cannot but augur a cultural upheaval, arguably the most decisive turning point in human cultural history.” He too connects our refusal in the west to contemplate this fact to the constant busyness and perpetual rushed sense of emergency engendered by the electronic media with its streaming information. To this end he quotes Nicole Aubert: "Permanent busyness, with one emergency following another, gives the security of a full life or a ‘successful career’, sole proofs of self-assertion in a world from which all references to the ‘beyond’ are absent, and where existence, with its finitude, is the only certainty. When they take action people think short-term – of things to be done immediately or in the very near future. All too often, action is only an escape from the self, a remedy from the anguish."
McLuhan’s abstract persons, who rush through the grey magic of electronic lives where flesh and blood don’t exist, not only drown in excessive data that they can’t understand, but drift through a world of ghostly images where “selves” with nothing at the core flit to and fro. Style, no substance. Perspective, no person. Life, having passed from humans to things and the images of things, reduced and reified. Nothing is clear, the images come and go, fact and fiction blend, myth and history coalesce, time and space collapse in a collage of confusion, surfaces appear as depths, the person becomes a perspective, a perspective becomes a mirror, a mirror reflects an image, and the individual is left dazed and lost, wondering what world he is in and what personality he should don. In McLuhan’s electronic paradise that is ours, people don’t live or die, people just float through the ether and pass away, as do the victims of America’s non-stop wars of aggression simply evaporate as statistics that float down the stream, while the delusional believe the world will bloodlessly evaporate in a nuclear war that they can’t imagine coming and won’t see gone. Who in this flow can hear the words of Federico Garcia Lorca: “Beneath all the totals, a river of warm blood/A river that goes singing/past the bedrooms…”?
"If you shower the public with the thousands of items that occur in the course of a day or a week, the average person, even if he tries hard, will simply retain thousands of items which mean nothing to him. He would need a remarkable memory to tie some event to another that happened three weeks or three months ago. To obtain a rounded picture one would have to do research, but the average person has neither the desire nor time for it. As a result, he finds himself in a kind of kaleidoscope in which thousands of unconnected images follow each other rapidly. To the average man who tries to keep informed, a world emerges that is astonishingly incoherent, absurd, and irrational, which changes rapidly and constantly for reasons he cannot understand." Jaques Ellul wrote that in 1965. Lucid summations are surely needed now.
Here’s one from Roberto Calasso from "The Forty-Nine Steps": “The new society is an agnostic theocracy based on nihilism.” "Anyone who sits silently and does a modicum of research while honestly contemplating the current world situation will have no trouble in noticing that there is one country in the world – the U.S.A. – that has used nuclear weapons, is modernizing its vast obscene arsenal, and has announced that it will use it as a first strike weapon. A quick glance at a map will reveal the positioning of U.S. NATO troops and weapons right up to Russia’s borders and the aggressive movement of U.S. forces close to China. Hiroshima and Nagasaki make no difference.
The fate of the earth makes no difference. Nothing makes a difference. Obama started this aggressiveness, but will this change under Trump? That’s very unlikely. We are talking about puppets for the potentates. It’s easy to note that the U.S. has 1,000,000 troops stationed in 175 countries because they advertise that during college basketball games, and of course you know of all the countries upon which the U.S. is raining down death and destruction in the name of peace and freedom. That’s all you need to know. Meditate on that and that hole that has opened up in western culture, and perhaps in your heart."
“If you are acquainted with the principle,” wrote Thoreau, “what do you care for myriad instances and applications?” Simplify, simplify, simplify. But you may prefer complexity, following the stream.
The snow is still falling, night has descended, and the roads are impassable. The beautiful snow has stopped us in our tracks. Tomorrow we can resume our frantic movements, but for now we must simply stay put and wonder.
Eugene Ionesco, known for his absurdist plays, including "Rhinoceros", puts it thus: "In all the cities of the world, it is the same. The universal and modern man is the man in a rush (i.e. a rhinoceros), a man who has no time, who is a prisoner of necessity, who cannot understand that a thing might be without usefulness; nor does he understand that, at bottom, it is the useful that may be a useless and back-breaking burden. If one does not understand the usefulness of the useless and the uselessness of the useful, one cannot understand art. And a country where art is not understood is a country of slaves and robots."
Ionesco emphasized the literal insanity of everyday life, comparing people to
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