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RIP Al Feldstein
May 2, 2014 08:37:59   #
LAPhil Loc: Los Angeles, CA
 
(CNN) -- Al Feldstein, who guided Mad magazine for almost three decades as its editor, has died, according to a Montana funeral home. He was 88.

He died Tuesday in his home in Livingston, Montana, Franzen-Davis Funeral Home & Crematory's website said.

Feldstein edited Mad from 1955 to 1984 when the magazine was the most widely read satirical publication in America. He was responsible for bringing on some of the "Usual Gang of I***ts" -- the Mad staffers and freelancers who filled its pages with their caricatures, puns and general wackiness.

"We were all saddened to see Al's passing," said John Ficarra, Mad's current editor-in-chief, in a statement. "It's impossible to overstate his importance to Mad. He took over Mad when it was t***sitioning from comic book to magazine and much of what the nation knows to be as Mad. He attracted many of the talents that went on to become legends -- Don Martin, Al Jaffee, Mort Drucker, Sergio Aragones ... to list just a few of the many. The result of his work in Mad can be seen in a lot of comedy media today."

Mad, which was started by writer Harvey Kurtzman and part of the EC Comics stable of William M. "Bill" Gaines," was successful because it called out society's hypocrisy, Feldstein told the Onion A.V. Club in 2007.

"When Mad came about, it was the reaffirmation of those feelings in print. We were saying, 'Kids, Madison Avenue is lying to you. Your parents are lying to you. The president is lying to you,'" he said.

Kurtzman left Mad in 1955, and Feldstein took over. Under his guidance, the magazine was a no-holds-barred repository of movie parodies, witty verse, advertising take-offs, loopy comics and Al Jaffee's indescribable Mad Fold-In.

Nothing was sacred.

"Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat," Feldstein said. "That went for the writers, too; they all had their own political leanings, and everybody had a voice."

Feldstein was born in 1925 and began his career as an artist as a teenager. He joined EC in the late 1940s. Its founder (and the inventor of the comic book), Max Gaines, had just been k**led in an accident, and the struggling company was in the hands of his son, William.

"I went down to meet this nerd with horn-rimmed glasses and a crew-cut named Bill Gaines. And I was with him for 35 years after that," Feldstein told the A.V. Club.

At the time, EC generally did romance and crime stories. (Originally, the company aspired to uplift -- the "EC" initially stood for "Educational Comics.") Feldstein, looking for an angle, suggested to Gaines that the company introduce a line of horror comics. They were known for their graphic art, witty writing and shock endings.

The first, "Tales from the Crypt," was an immediate hit. With its successors -- "Shock SuspenStories" and "Justice Traps the Guilty" among them -- EC was revived.

But the powers that be of the time -- notably fearful politicians and a psychiatrist named Fredric Wertham -- lashed out at EC's comics and succeeded in having them shut down. Gaines, however, had protected Mad, his humor comic, and changed it to a magazine to keep it out of the claws of the Comics Code Authority.

After leaving Mad, Feldstein returned to his first love, art. For decades he lived in Montana, specializing in the images and wildlife of the American West.

Mad was sold in the early 1960s to what eventually became Warner Communications. Today the title is part of the DC Comics group owned by Time Warner, CNN's parent company.

Feldstein is survived by his wife; a stepdaughter; and two grandsons, the funeral home's website said.











































































































































































































Photos: People we lost in 2014 Photos: People we lost in 2014








They are the mighty mainstays of Mad, some for more than 50 years. Here's a look at the "Usual Gang of I***ts." Caricatures by Tom Richmond.


Al Jaffee, 90, is best known for the Mad Fold-in and "Snappy Answers to Stupid Questions." He's been contributing since 1955.


Jack Davis, 87, was the artist of the very first article in the very first issue of Mad. An "absolute master," in the words of Jaffee, his drawings have illustrated movie posters, magazine covers and hundreds of issues of Mad.


Paul Coker Jr., 81, created "Terrifying Cliches" for Mad, though most people probably know his TV work ("Frosty the Snowman") better. He's been a Gang member since 1961.


Sergio Aragones, 74, will celebrate 50 years as a Mad contributor in 2012. The incredibly prolific artist created "The Shadow Knows" and the countless mini-cartoons known as "marginals."


Sam Viviano, 58, was first published in Mad in 1981 and made the jump to art director in 1999.


Tom Richmond, 45, has "only" been contributing to Mad for 11 years. The Wisconsin native is an outstanding caricaturist and often illustrates movie and TV parodies.




















































\'The Usual Gang of I***ts\' 'The Usual Gang of I***ts'

"When Mad came about, it was the reaffirmation of those feelings in print. We were saying, 'Kids, Madison Avenue is lying to you. Your parents are lying to you. The president is lying to you,'" he said.

Kurtzman left Mad in 1955, and Feldstein took over. Under his guidance, the magazine was a no-holds-barred repository of movie parodies, witty verse, advertising take-offs, loopy comics and Al Jaffee's indescribable Mad Fold-In.

Nothing was sacred.

"Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat," Feldstein said. "That went for the writers, too; they all had their own political leanings, and everybody had a voice."

Feldstein was born in 1925 and began his career as an artist as a teenager. He joined EC in the late 1940s. Its founder (and the inventor of the comic book), Max Gaines, had just been k**led in an accident, and the struggling company was in the hands of his son, William.

"I went down to meet this nerd with horn-rimmed glasses and a crew-cut named Bill Gaines. And I was with him for 35 years after that," Feldstein told the A.V. Club.

At the time, EC generally did romance and crime stories. (Originally, the company aspired to uplift -- the "EC" initially stood for "Educational Comics.") Feldstein, looking for an angle, suggested to Gaines that the company introduce a line of horror comics. They were known for their graphic art, witty writing and shock endings.

The first, "Tales from the Crypt," was an immediate hit. With its successors -- "Shock SuspenStories" and "Justice Traps the Guilty" among them -- EC was revived.

But the powers that be of the time -- notably fearful politicians and a psychiatrist named Fredric Wertham -- lashed out at EC's comics and succeeded in having them shut down. Gaines, however, had protected Mad, his humor comic, and changed it to a magazine to keep it out of the claws of the Comics Code Authority.

After leaving Mad, Feldstein returned to his first love, art. For decades he lived in Montana, specializing in the images and wildlife of the American West.

Mad was sold in the early 1960s to what eventually became Warner Communications. Today the title is part of the DC Comics group owned by Time Warner, CNN's parent company.

Feldstein is survived by his wife; a stepdaughter; and two grandsons, the funeral home's website said.

Reply
May 2, 2014 11:07:56   #
Brian Devon
 
LAPhil wrote:
(CNN) -- Al Feldstein, who guided Mad magazine for almost three decades as its editor, has died, according to a Montana funeral home. He was 88.

He died Tuesday in his home in Livingston, Montana, Franzen-Davis Funeral Home & Crematory's website said.

Feldstein edited Mad from 1955 to 1984 when the magazine was the most widely read satirical publication in America. He was responsible for bringing on some of the "Usual Gang of I***ts" -- the Mad staffers and freelancers who filled its pages with their caricatures, puns and general wackiness.

"We were all saddened to see Al's passing," said John Ficarra, Mad's current editor-in-chief, in a statement. "It's impossible to overstate his importance to Mad. He took over Mad when it was t***sitioning from comic book to magazine and much of what the nation knows to be as Mad. He attracted many of the talents that went on to become legends -- Don Martin, Al Jaffee, Mort Drucker, Sergio Aragones ... to list just a few of the many. The result of his work in Mad can be seen in a lot of comedy media today."

Mad, which was started by writer Harvey Kurtzman and part of the EC Comics stable of William M. "Bill" Gaines," was successful because it called out society's hypocrisy, Feldstein told the Onion A.V. Club in 2007.

"When Mad came about, it was the reaffirmation of those feelings in print. We were saying, 'Kids, Madison Avenue is lying to you. Your parents are lying to you. The president is lying to you,'" he said.

Kurtzman left Mad in 1955, and Feldstein took over. Under his guidance, the magazine was a no-holds-barred repository of movie parodies, witty verse, advertising take-offs, loopy comics and Al Jaffee's indescribable Mad Fold-In.

Nothing was sacred.

"Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat," Feldstein said. "That went for the writers, too; they all had their own political leanings, and everybody had a voice."

Feldstein was born in 1925 and began his career as an artist as a teenager. He joined EC in the late 1940s. Its founder (and the inventor of the comic book), Max Gaines, had just been k**led in an accident, and the struggling company was in the hands of his son, William.

"I went down to meet this nerd with horn-rimmed glasses and a crew-cut named Bill Gaines. And I was with him for 35 years after that," Feldstein told the A.V. Club.

At the time, EC generally did romance and crime stories. (Originally, the company aspired to uplift -- the "EC" initially stood for "Educational Comics.") Feldstein, looking for an angle, suggested to Gaines that the company introduce a line of horror comics. They were known for their graphic art, witty writing and shock endings.

The first, "Tales from the Crypt," was an immediate hit. With its successors -- "Shock SuspenStories" and "Justice Traps the Guilty" among them -- EC was revived.

But the powers that be of the time -- notably fearful politicians and a psychiatrist named Fredric Wertham -- lashed out at EC's comics and succeeded in having them shut down. Gaines, however, had protected Mad, his humor comic, and changed it to a magazine to keep it out of the claws of the Comics Code Authority.

After leaving Mad, Feldstein returned to his first love, art. For decades he lived in Montana, specializing in the images and wildlife of the American West.

Mad was sold in the early 1960s to what eventually became Warner Communications. Today the title is part of the DC Comics group owned by Time Warner, CNN's parent company.

Feldstein is survived by his wife; a stepdaughter; and two grandsons, the funeral home's website said.











































































































































































































Photos: People we lost in 2014 Photos: People we lost in 2014








They are the mighty mainstays of Mad, some for more than 50 years. Here's a look at the "Usual Gang of I***ts." Caricatures by Tom Richmond.


Al Jaffee, 90, is best known for the Mad Fold-in and "Snappy Answers to Stupid Questions." He's been contributing since 1955.


Jack Davis, 87, was the artist of the very first article in the very first issue of Mad. An "absolute master," in the words of Jaffee, his drawings have illustrated movie posters, magazine covers and hundreds of issues of Mad.


Paul Coker Jr., 81, created "Terrifying Cliches" for Mad, though most people probably know his TV work ("Frosty the Snowman") better. He's been a Gang member since 1961.


Sergio Aragones, 74, will celebrate 50 years as a Mad contributor in 2012. The incredibly prolific artist created "The Shadow Knows" and the countless mini-cartoons known as "marginals."


Sam Viviano, 58, was first published in Mad in 1981 and made the jump to art director in 1999.


Tom Richmond, 45, has "only" been contributing to Mad for 11 years. The Wisconsin native is an outstanding caricaturist and often illustrates movie and TV parodies.




















































\'The Usual Gang of I***ts\' 'The Usual Gang of I***ts'

"When Mad came about, it was the reaffirmation of those feelings in print. We were saying, 'Kids, Madison Avenue is lying to you. Your parents are lying to you. The president is lying to you,'" he said.

Kurtzman left Mad in 1955, and Feldstein took over. Under his guidance, the magazine was a no-holds-barred repository of movie parodies, witty verse, advertising take-offs, loopy comics and Al Jaffee's indescribable Mad Fold-In.

Nothing was sacred.

"Mad was wide open. Bill loved it, and he was a capitalist Republican. I loved it, and I was a liberal Democrat," Feldstein said. "That went for the writers, too; they all had their own political leanings, and everybody had a voice."

Feldstein was born in 1925 and began his career as an artist as a teenager. He joined EC in the late 1940s. Its founder (and the inventor of the comic book), Max Gaines, had just been k**led in an accident, and the struggling company was in the hands of his son, William.

"I went down to meet this nerd with horn-rimmed glasses and a crew-cut named Bill Gaines. And I was with him for 35 years after that," Feldstein told the A.V. Club.

At the time, EC generally did romance and crime stories. (Originally, the company aspired to uplift -- the "EC" initially stood for "Educational Comics.") Feldstein, looking for an angle, suggested to Gaines that the company introduce a line of horror comics. They were known for their graphic art, witty writing and shock endings.

The first, "Tales from the Crypt," was an immediate hit. With its successors -- "Shock SuspenStories" and "Justice Traps the Guilty" among them -- EC was revived.

But the powers that be of the time -- notably fearful politicians and a psychiatrist named Fredric Wertham -- lashed out at EC's comics and succeeded in having them shut down. Gaines, however, had protected Mad, his humor comic, and changed it to a magazine to keep it out of the claws of the Comics Code Authority.

After leaving Mad, Feldstein returned to his first love, art. For decades he lived in Montana, specializing in the images and wildlife of the American West.

Mad was sold in the early 1960s to what eventually became Warner Communications. Today the title is part of the DC Comics group owned by Time Warner, CNN's parent company.

Feldstein is survived by his wife; a stepdaughter; and two grandsons, the funeral home's website said.
(CNN) -- Al Feldstein, who guided Mad magazine for... (show quote)









*********
Thank you for your post. As a kid, I was an avid reader of Mad. I liked it because it gave me genuine insights into how the world really worked.

I liked it for the same reasons I liked the Marx Brothers, W.C. Fields, and Mae West. All gave a collective "up yours" to pretentious boot-licking preachers of the status quo.

All of the above were able to get across their "question authority" messages because they used comedy, rather than lectures.

All the above were staples for the rebellious baby boomers who went on to become the liberal democratic v**ers of our nation; the ones who played a key role in the e******n of our president.

Mad Magazine, like the Simpsons, and South Park, was able to fly under the "lock and load" radar of the far right because their messages came in cartoon form.

Thank you L.A. Phil, and of course thank you Mr. Feldstein, and the folks at Mad Magazine.

Reply
May 2, 2014 13:17:40   #
LAPhil Loc: Los Angeles, CA
 
Brian Devon wrote:
*********
Thank you for your post. As a kid, I was an avid reader of Mad. I liked it because it gave me genuine insights into how the world really worked.

I liked it for the same reasons I liked the Marx Brothers, W.C. Fields, and Mae West. All gave a collective "up yours" to pretentious boot-licking preachers of the status quo.

All of the above were able to get across their "question authority" messages because they used comedy, rather than lectures.

All the above were staples for the rebellious baby boomers who went on to become the liberal democratic v**ers of our nation; the ones who played a key role in the e******n of our president.

Mad Magazine, like the Simpsons, and South Park, was able to fly under the "lock and load" radar of the far right because their messages came in cartoon form.

Thank you L.A. Phil, and of course thank you Mr. Feldstein, and the folks at Mad Magazine.
********* br Thank you for your post. As a kid, I ... (show quote)

You're most welcome. And I see I didn't delete enough of my original copy and paste. Oh well, too late now.

Reply
 
 
May 5, 2014 14:10:36   #
cant beleve Loc: Planet Kolob
 
LAPhil wrote:
You're most welcome. And I see I didn't delete enough of my original copy and paste. Oh well, too late now.


I think Brian really read Cracked magazine. That explained why he is so cracked on political issues :lol: :lol: :lol: :)

Reply
May 5, 2014 14:20:32   #
LAPhil Loc: Los Angeles, CA
 
Brian Devon wrote:
*********
Mad Magazine, like the Simpsons, and South Park, was able to fly under the "lock and load" radar of the far right because their messages came in cartoon form.

Brian, I just caught this. South Park is created by conservatives.

Reply
May 5, 2014 14:21:56   #
cant beleve Loc: Planet Kolob
 
LAPhil wrote:
Brian, I just caught this. South Park is created by conservatives.


Yep they attack everyone and everything! Gotta love it!

Reply
May 5, 2014 15:14:13   #
Brian Devon
 
LAPhil wrote:
Brian, I just caught this. South Park is created by conservatives.



Phil, my knowledge of South Park is limited. I am 63 and definitely feel it is not aimed at my age group. I only watched it a few times. I did read up on it's creators. The gist of what I got is that they like to skewer the sacred cows of both conservatives and liberals. It sounds like they try to be equal opportunity offenders.

Reply
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